Metro Cinema 1980 Canvas Print

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Bring your artwork to life with the texture and depth of a stretched canvas print.   Your image gets printed on one of our premium canvases and then stretched on a wooden frame of 1.5" x 1.5" stretcher bars (gallery wrap) or 5/8" x 5/8" stretcher bars (museum wrap).   All stretched canvases ship within 3 - 4 business days and arrive "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.

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Fine Art America is one of the largest, most-respected giclee printing companies in the world with over 40 years of experience producing museum-quality prints.   All of our prints are produced on state-of-the-art, professional-grade Epson printers.   We use acid-free papers and canvases with archival inks to guarantee that your prints last a lifetime without fading or loss of color.

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"Metro Cinema 1980"
16"x 20" acrylic on canvas

Theater operator George I. Shafir had big plans for
258 Commercial Street. In 1954,
he renovated the main worship space of what had been the White Oak Meeting House.
Services were conducted here for more than a century until the dwindling congregation sold off the building in 1947.

George I. Shafir renovated this into what
The Provincetown Advocate called a “modern, comfortable and well-equipped motion picture theater”
and opened it as the Art Cinema — with deliberately discriminating bills featuring “fine, imported motion pictures and selected short subjects of cultural and art interest.”

One of the first was “The Little World of Don Camillo”, starring the French comedian Fernandel. When the Art Cinema reopened for the 1955 season,
The Advocate said its policy of catering “to the more discriminating class of moviegoers” had “
proved that most people pref...

Jonathan Morrill is a Hollywood-based artist. His acrylic works of many a tinsel-town icon have graced the walls of La-La Land's great haunts, including Hollywood Forever Cemetery, where he appears as himself in the HBO documentary; "The Young and The Dead" (2000), painting an over-sized portrait of Rudolph Valentino as the "The Son of The Sheik", mere yards away from the icons final resting place. The piece is featured in Tracy Ryan Terhune's book 'Valentino Forever' (AuthorHouse, 2004) In 2019, that same 10' x 10' acrylic portrait continues to be displayed at the annual Valentino memorial. The Hollywood Wax Museum featured not only some of Morrill's acrylic work, but during his tenor as assistant curator, he installed a...

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