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Karl Eric Leitzel

17 Years Ago

For Discussion: Are Many Of The Best Artists The World Has Ever Known Alive Today?

This might be an interesting topic for discussion. We all look with veneration upon the masters of old; Rembrandt, Monet, Van Gogh, and many others. If you think about the ballooningworld population, though, and the fact that higher overall standards of living have freed up a higher percentage of people to purue their artistic talents, it stands to reason that many of the "best" artists who have ever lived are alive and working today. If so, is there any way to pick them out in real time, or does it take the gradual introspection of hindsight to see who stands the test of time?

What think ye?

Karl

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Michele Martin Taylor

17 Years Ago

Hi Karl- good question, The artists you mentioned have proved the test of time, so by their standard we just have to wait, don't we.
I try to paint work that would be appreciated and have values that would be understood by those who lived five hundred years ago, and that will be meaningful five hundred years from now, if we havn't distroyed ourselves. i laugh about those artist who build art with donuts, blood and whatever, since they are removing themselves from the time criteria by default.Michele

 

Ron Stacy

17 Years Ago

I see many artists calling themselves "award winning" and "self taught". The fact is, every artist is really self taught. You have to work through all the information you glean to make sense of it; you can't learn to make art by studying it. Award winning is mostly meaningless, because it's easy to enter amateur oriented shows and stand out, if you have any skills at all. Most artists have won awards of some type, usually early in their careers.

Having said that, I believe that most artists today have little training and specialize very early on. It seems the institutions don't fuel the artists' desire to really learn their craft. When I read how Rembrandt constructed his paintings, I see that his depth of knowledge is very large, and that's only with regard to his use of materials. His drawing skills are huge and his thoughtfulness with regard to the composition, process and brushwork is impressive. He is representative of the type of art education that was in place in those times.

I believe that we never know if we have actually created any art during our lifetime. It takes a couple hundred years after we die to see if our work has lasting value. All we can do is aspire to create real art. I think, though, that there are quite a few real artists working today, but most of us will be relegated to the staus of "also rans". Sad. Art is a very personal thing and everyone has their own perception of what real art is. However, most of us see the subject matter first, the pretty-ness second and stop there, because we don't have much grounding in art appreciation.

In the end, I can say that I'm really pleased to be in the position I am, where I can sort of make a living pursuing my artist's path. Lucky me!

 

Roz Eve

17 Years Ago

Good question and responses. I try to justify my paintings to myself. I know that sounds funny.
I say why paint this painting when I come up with a concept. I ask if I were a buyer would I want
to hang this on my wall. Because I look at most art this way. Thats probably why I've never done a
book cover I have this tendancy to paint for the wall because I started in scenery and now am in
fantasy. Also I've been Hiding my work for years thinking it not good enough to be seen that it
has to be perfect for fear of criticism.So what I'm saying is there could be lots of perfectionist
master painters hiding out as well that we won't see until they are dead.

Also who decides what is master work. If it is the critics, I think we are all in trouble because
I was crushed by a proffesional critique.recently who basically told me to take out the magic
as the fairies are distracting from the painting and do more detail on the boy sleeping.Considering
they knew I do fantasy... the non artists around me seemed puzzled saying aren't the fairies the
whole point to the painting. Now these people have art degrees and are university proffessors etc.

Well I finally figured out even though they say that any subject matter is acceptable and its
open to all subjects in the contest that the only work that wins is abstracts very traditional still life etc.
There has never been any winning fantasy archived in all those years. My point being you also
have to be doing the right stuff and being seen and liked by the right people. So many masters could
easily go unnoticed by all of us ( if wrong time, place, people, crtic etc.)

I think In the end its the likeability, the Purpose, how well it hits people emotionally and consistant
quality that makes me love someome elses art so thats what I aim for. It has to have excitement and
I feel thats what makes great art.
So I agree There are lots of possible master artists out there like Donato Giancola and Don Maitz
to name two of my favourites that are masters in my book ( Fantasy artists of coarse ! )

 

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