First, thank you to all the viewers and posters here.
My original post was about a creative piece I did and another FAA artist that copied every aspect of it. I had to decide orientation, what items to include and exclude, object sizes. their relationship to each other on the page, and, finally, a title heading done in a particular size and obscure font. The piece was copied exactly.
It caught me by surprise. Having said that, I hope it sells!
Now, on to reproduction philosophy. Yes, I do do reproductions and reinterpretations, along with other offerings. I'm an open source kind of guy. Would I rather see these photos, documents, whatever languish hidden in an archive where no one would ever see them, or would it be better if someone rehabilitated them and offered them for sale, which might bring someone some happiness in their personal space. I choose the latter.
Some people selling here, especially some of the large collections, do 'pass-through,' where they pull the archived image and without doing anything post it for sale. That's okay, but it's not what I do.
As an example, I did a 1912 photograph I call THE CHEMIST yesterday. The original glass negative had a large black blob obscuring most of the bottom half, which most would pass by. I realized the resolution was high enough to salvage it, so I cropped it for a nice viewpoint. Next, I ran it through 5 different pieces of software to enhance its positive aspects. During that time, I spent almost 2 hours eliminating specks and artifacts to bring it up to the quality standards I uphold. Now, it's out from the shadows and, I think, tells a story.
Often times, when I'm doing this restorative work I feel great emotional responsibility to get it right as part of the legacy and intent of the original photographer or artist. If it sells, great, but if it doesn't . . . that's okay, too. I just love restoring a few of the many hidden treasures out there.