What lies beneath is more important that what we see above. 

What lies beneath is more important that what we see above. 

This was a commissioned piece - my client wanted bright spring green, and earthy purples. 

This piece portrays that short time between official winter and official spring, when the first leaves have budded out, but the cool nights still preserve pockets of snow. This piece is part of a 4 seasons set that was displayed at the Long Beach Int... 

This was a commissioned piece for a client who wanted an abstract work that would fit in her home on a putty coloured wall... and she loved turquoises and blues. 

Undercurrents, what lies beneath, how things move and interweave themselves... are always part of my work. 

Earth and roots have become an increasingly important part of my work. In this and many other pieces, I look at what lies beneath. 

I love spring in the marshes, when plants, trees and all the life they support begin to wake up. 

Earth and roots have become an increasingly important part of my work. In this and many other pieces, I look at what lies beneath. 

That moment between fall and winter, when the leaves still cling to the trees, set off by an early dusting of snow. 

Earth and roots have become an increasingly important part of my work. In this and many other pieces, I look at what lies beneath. 

Earth and roots have become an increasingly important part of my work. In this and many other pieces, I look at what lies beneath. 

Earth and roots have become an increasingly important part of my work. In this and many other pieces, I look at what lies beneath. 

Everything is part of everything else. In this piece I aim to show connections, how earth, air, water and life intermingle and rearrange themselves in cycles. 

This wall hanging is from a series of 17 works I created in 2002 that featured rare/endangered Carolinian tree species. This one and the next one called Pawpaw were recovered from an estate sale in perfect condition.